It (The Portland Office for Imaginary History) is happening again

It (The Portland Office for Imaginary History) is happening again

The Portland Office for Imaginary History will return in 2021, the unstoppable wheelchair user posse will be deputised again, and those lies you like are going to come back in style. This September at b-side.

Sluice Magazine, Autumn/Winter 19-20

Sluice Magazine, Autumn/Winter 19-20

The latest issue of Sluice magazine is out now. The theme this time is looking to the natural world and to deep time for survival strategies. As usual I wrote an article for the magazine, and there's the now traditional cheeky decontextualised quote from it on the back cover... Londonians may wish to join us … Continue reading Sluice Magazine, Autumn/Winter 19-20

Sluice magazine: Don’t Look Down

Sluice magazine: Don’t Look Down

My column from the previous issue of Sluice magazine is now online, on the pervasive metaphorical debt of the art world, the perpetual actual debt of artists, and lazy little millennial fucks. The new issue is out very shortly, with more of my columnage.

The Portland Office for Imaginary History

The Portland Office for Imaginary History

The Portland Office for Imaginary History re-opens for b-side Festival 2018, and I'm allowing myself an exclamation mark for it! Walking tours on the 8th, 9th, 15th and 16th September, bus tour 14th September, mobility scooter and wheelchair tour on the 16th. Top quality lies, direct to the public. Plan your festival visit here, there's … Continue reading The Portland Office for Imaginary History

Odeum at Milan Design Week

Odeum at Milan Design Week

As is now traditional (well, three years in a row), I collaborated with CTRLZAK Studio and JCP to provide names and narratives for a collection of hybrid but functional art-design objects for sale, with their premiere at the Salone del Mobile of Milan Design Week 2018. We got particularly kinky this year, with references to … Continue reading Odeum at Milan Design Week

All real artists get turned into a doll

All real artists get turned into a doll

    I was inspired– negatively, so... unspired?– by the fuss about a recent Frida Kahlo Barbie doll, of which the doll itself was probably the least offensive thing. Yes, it somewhat cleaned and prettied up a woman rightly famous for being a feminist and a communist who was ahead of her time in foregrounding … Continue reading All real artists get turned into a doll

Lives of the Necromancers: Orpheus

Lives of the Necromancers: Orpheus

ADOXOBLOG

northcote20portrait20-20col1 William Godwin.

Some interesting stuff from Lives of the Necromancers (1834) by William Godwin, the proto-anarchist and father of Mary “Frankenstein” Shelley, nee Godwin. Well, interesting if you’re into necromancers anyway. And who isn’t interested in necromancers? Nobody I want to hang out with, is the answer.

William Godwin also wrote a novel called St. Leon (1799), about a man who artificially attains immortality. Without taking anything away from Mary– she was undoubtedly the most talented of the famous four who played at writing stories near Lake Geneva in 1816, not to mention being only eighteen years old at the time– it’s obvious that her super cool father with his love of fringe science and radical politics was a big influence on her. Godwin’s wife and Mary’s mother was the feminist Mary Wollstonecraft, though Mary senior sadly died of septicaemia shortly after giving birth and so never knew her daughter…

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