The Portland Office for Imaginary History Official Locus and Phenomenon Guidebook.
The Dorchester and Poundbury Office for Imaginary Housing, August 2021.
The Portland Office for Imaginary History will return in 2021, the unstoppable wheelchair user posse will be deputised again, and those lies you like are going to come back in style. This September at b-side.
My latest column for Sluice magazine.
I'm on a podcast...
Fact: Being in a fashion magazine gets me more profile and more offers of work than being in an art magazine. ¯\_(ツ)_/¯ https://www.elledecor.com/it/corner/a34569370/jcp-universe-collezione-arte-design-another-nature/
A most queer Gothic scientific romance Brontë family LARP...
DoxBox at Electric Dreams Festival!
New exhibition at the Open Data Institute, London, from February 5 2020.
The latest issue of Sluice magazine is out now. The theme this time is looking to the natural world and to deep time for survival strategies. As usual I wrote an article for the magazine, and there's the now traditional cheeky decontextualised quote from it on the back cover... Londonians may wish to join us … Continue reading Sluice Magazine, Autumn/Winter 19-20
Photo by Paul Clarke for the Open Data Institute. New photos of DoxBox trustbot performances in London, November 2019.
My article in the spring/summer 2019 edition of Sluice magazine.
Performances all day, Saturday 10 August 2019.
Tech drag hot pink robot performance.
My column in the spring 2019 issue of Sluice magazine.
The Bank Job, London.
My latest blog for The Open Data Insititute.
My column from the autumn/winter 2018 edition of Sluice Magazine.
Manchester, November 2018.
I'll destroy you with my mini-submarine, Mr Bond.
My column from the previous issue of Sluice magazine is now online, on the pervasive metaphorical debt of the art world, the perpetual actual debt of artists, and lazy little millennial fucks. The new issue is out very shortly, with more of my columnage.
Art at the Open Data Institute.
Photos from my performances at b-side in 2018.
Tech magic with Hunter Moon at Site Gallery, Sheffield, 29/09/18.
The Portland Office for Imaginary History re-opens for b-side Festival 2018, and I'm allowing myself an exclamation mark for it! Walking tours on the 8th, 9th, 15th and 16th September, bus tour 14th September, mobility scooter and wheelchair tour on the 16th. Top quality lies, direct to the public. Plan your festival visit here, there's … Continue reading The Portland Office for Imaginary History
Summary of my research on the mental health of artists for a-n: the artists information company.
What I'm doing this autumn!
As is now traditional (well, three years in a row), I collaborated with CTRLZAK Studio and JCP to provide names and narratives for a collection of hybrid but functional art-design objects for sale, with their premiere at the Salone del Mobile of Milan Design Week 2018. We got particularly kinky this year, with references to … Continue reading Odeum at Milan Design Week
I was inspired– negatively, so... unspired?– by the fuss about a recent Frida Kahlo Barbie doll, of which the doll itself was probably the least offensive thing. Yes, it somewhat cleaned and prettied up a woman rightly famous for being a feminist and a communist who was ahead of her time in foregrounding … Continue reading All real artists get turned into a doll
An interactive, locative app intended to provide an insight into living with dementia.
17th December 2016, Isle of Portland.
Southampton City Art Gallery, Thursday December 1 2016.
This way to the Tourist Misinformation Office.
b-side Festival, Portland, Dorset, 10-18 September 2016.
New (potential) live art project.
Writing workshops for artists based in Northumberland and the Borders.
Some interesting stuff from Lives of the Necromancers (1834) by William Godwin, the proto-anarchist and father of Mary “Frankenstein” Shelley, nee Godwin. Well, interesting if you’re into necromancers anyway. And who isn’t interested in necromancers? Nobody I want to hang out with, is the answer.
William Godwin also wrote a novel called St. Leon (1799), about a man who artificially attains immortality. Without taking anything away from Mary– she was undoubtedly the most talented of the famous four who played at writing stories near Lake Geneva in 1816, not to mention being only eighteen years old at the time– it’s obvious that her super cool father with his love of fringe science and radical politics was a big influence on her. Godwin’s wife and Mary’s mother was the feminist Mary Wollstonecraft, though Mary senior sadly died of septicaemia shortly after giving birth and so never knew her daughter…
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Portland, Dorset, October 8-9 2015.
From Marie Corelli’s The Sorrows of Satan (1895), about a failed writer who makes a deal with the devil in fin de siècle London. It’s actually a terrible, repetitive and badly structured book. Nor has Corelli’s prose style aged well. She was very popular at the time, but like many popular writers then and now she hardly bothered writing anything but complete shit once she’d found her audience, with more concern for quantity than quality. She also wrote a (likewise popular at the time) book inspired by Jack the Ripper but the only thing she succeeds at in The Lodger is making the Whitechapel murders seem like a total bore as well. Her not very fictionalised, undigested chunks of rant about the publishing industry are enjoyable, though, perhaps precisely because she was so looked down upon as a writer and took the opportunity to vent her…
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Live shows for spring 2020 cancelled or postponed.
Free Art & Tech Socials event in Birmingham.