My column from the autumn/winter 2018 edition of Sluice Magazine.
Tag: art galleries
I’ve been saying for years that old projectors and other modernist paraphernalia in art galleries are tropes, affectations, bourgeois set dressing rather than meaningful vehicles for a 21st century artist to express themselves. Here is artist Hito Steyerl’s splendid volley against the practice. She nailed it.
Next time I see another 16mm film projector rattling away in a gallery I will personally kidnap it and take the poor thing to a pensioners home. There is usually no intrinsic reason whatsoever for the use of 16mm film nowadays except for making moving images look pretentious, expensive and vaguely modernist, all prepackaged with a whiff of WASPish art history. It made sense to use Bolexes in 1968, and indeed people used them to brilliant end. But today people use cellphones, Kinnect sensors and After Effects to deal with the present and shape it. And if artists do not expose themselves to…
View original post 52 more words
Supporting rural artists: Thursday 10th July, 1pm-5pm Hestercombe Gallery, Cheddon Fitzpaine, Taunton, Somerset TA2 8LG
My article about Arts Council England’s “small” (£100,000-£499,999) funding for stylish foyers, gardening and service lifts (while artists often can’t even get paid for an exhibition) has been picked up and republished in The Guardian.