Artist in residence at Pervasive Media Studio, Bristol, February-March 2022.
Alejandro Jodorowsky and the glory of not getting what you want
Frank Pavich’s Jodorowsky’s Dune is a confusing phrase, but the documentary itself does absolutely everything right in terms of a compelling story, an incredibly charismatic protagonist, and a genuinely inspiring and uplifting message. Alejandro Jodorowsky is the bonkers auteur who made surrealist cult films like El Topo and The Holy Mountain with a mentality more akin to a prophet or a cult leader than a film technician, so it’s no surprise that he was drawn to Frank Herbert’s zeitgeisty eco-messianic novel. If Jodorowsky is any kind of prophet then he’s the Anti-Hack. For him it’s all about the passion, the politics and the image. Making perfectly constructed emotion-manipulating and money-making machines is not interesting to him at all. For a while in the 70s there were so many serendipities raining down onto him that it seemed the universe wanted…
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Reproduced in Full Moon by Michael Light. It basically just collects a load of NASA photos from the Apollo missions with little or no commentary, but the cumulative visual effect (of desolate strangeness, for the most part, as one might expect) makes the book worth checking out.
Apollo 12, November 1969. Alan Bean with a sample container full of lunar material collected at Sharp Crater in the Ocean of Storms. The photographer, Charles Conrad, is reflected in Bean’s visor. Here I think you can really see why some nutters refuse to believe the Moon landings were real. The astronauts look like dolls, the Moon looks tiny and there’s a strange shallow focus effect superficially similar…
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Attentive viewers may notice some subtle Christian imagery in this clip from early 1970s Japanese TV show Ultraman Ace.
Only joking. It’s about as subtle as a man throwing a rubber kaiju through a ten storey building. Either the makers of this series had absolutely no idea what blasphemy is, or they understood it perfectly well.
Anyone who’s unfortunate enough to have seen the relentlessly grim Nolanised fun vacuum that was Man of Steel may also get flashbacks to it when they witness the gay abandon with which Ultraman blithely annihilates huge swathes of the city and (although unseen) presumably also thousands of the citizens he’s ostensibly protecting. In Ultraman’s version of reality it must pay off big time if you have shares in construction, emergency services and infrastructure companies.
The TRS 80 home computer, USA, 1978. In these thrilling advertisements, a man does the household budget (on paper, while looking at the numbers on the screen) and some kind of prepubescent Oedipal classroom psychodrama is played out through the medium of multiplication tables.
Basically it’s a jumped-up pocket calculator, only much less convenient.
Don’t worry, puritans of America, you can’t do anything fun or interesting with these computers!
Brace yourselves, nerds. This week it’s an onslaught of vintage computer images from Computers: An Illustrated History by Christian Wurster, published by Taschen. Honestly it’s so interesting and visually arresting (and virtually wordless, as the title suggests) that I could scan almost every page of it, but I’m not going to. I strongly recommend that you buy this splendid book if you like the images I’m posting, just as I suggest you do for the work of any other authors, artists, musicians, or film makers whose efforts I feature here or that you see on other blogs, and just as I also gently suggest that you support me in a small way by buying one of my books if you enjoy this blog.
Anyway, commercial message over, here’s an inexplicable image from a 1984 German ad for the Atari 800 XL.
The text on the screen describes what I initially…
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