Tag: art market

SEVERE CORRECTION

SEVERE CORRECTION

CAREER SUICIDE

… of the art market. What were you thinking of, you dirty wee puppy? I’ll deal with you later. No, according to a University of Luxembourg study, the international art market is in a “mania phase” and the bubble is going to pop any time soon, leading to a “severe correction”. Countdown starting right now to an art exhibition called either Severe Correction or Mania Phase.

The contemporary art market has been a very bad, bad, dirty, disobedient and thoughtless pig.

The “zombie formalist” artists (i.e. makers of art as an asset class, devoid of narrative, representation, politics, ideology, etc.) and their handlers are partly to blame, but as the gentleman who created the term rightly says, and as I have also said in a various ways over the past few years about a hundred bloody times: “Since the entire market is entirely irrational, it can’t be rationally…

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ROMANTICISM, BEAUTY, MONEY

ROMANTICISM, BEAUTY, MONEY

CAREER SUICIDE

THREE QUOTES FROM BRUNO MUNARI, ‘DESIGN AS ART’, 1966 (ON SUBJECTS THAT STILL HAVEN’T BEEN SORTED OUT BY THE ART WORLD FIFTY YEARS LATER)

Chatterton 1856 by Henry Wallis 1830-1916

“It must be understood that as long as art stands aside from the problems of life it will only interest a very few people… The artist must cast off the last rags of romanticism and become active as a man among men*, well up in present day techniques, materials and working methods.”

* Obviously this applies to women as well, and I don’t endorse automatic 1960s sexism.

 Michael_Jackson_and_Bubbles_(porcelain_sculpture)
“When a lot of money comes along before culture arrives, we get the phenomenon of the gold telephone.”

Batman89Vandalism

“A thing is not beautiful because it is beautiful, as the frog said to the she-frog, it is beautiful because one likes it.”

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MONET IS THE ROOT OF ALL EVIL

MONET IS THE ROOT OF ALL EVIL

CAREER SUICIDE

JokerArtThe Joker’s intervention in the meta-space of figuration on canvas radically detournes our assumptions of art works as unique, separationed and heterogenous units.

I don’t condone the vandalism or destruction of art works. Attacking art in a public museum or gallery is a particularly dickish act, even by the normal standards of no, seriously, don’t fucking do it you idiot. However, I question the need to jail a man for six years simply because he punched a Monet painting. The incident took place in 2012 at the National Gallery of Ireland in Dublin, but he’s only just been sentenced. Andrew Shannon (described here as a “French Polisher”, which I’m sure is some kind of obsolete sexual slang) claimed in court that he had a dizzy spell and fell fistwards into the painting. Witnesses said otherwise, and it didn’t look good that he’d muttered something about getting back at the state…

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USELESS

CAREER SUICIDE

After Oscar Wilde published The Picture of Dorian Gray, with its preface in which he quipped that “all art is quite useless”, a young admirer wrote to ask for some explanation of what Wilde meant. Wilde’s reply:

“Art is useless because its aim is simply to create a mood. It is not meant to instruct, or to influence action in any way. It is superbly sterile, and the note of its pleasure is sterility. If the contemplation of a work of art is followed by activity of any kind, the work is either of a very second-rate order, or the spectator has failed to realise the complete artistic impression.

A work of art is useless as a flower is useless. A flower blossoms for its own joy. We gain a moment of joy by looking at it. That is all that is to be said about our relations…

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LIQUIDATE BANKSY

LIQUIDATE BANKSY

CAREER SUICIDE

OR: SLAVE TO THE ALGORITHM

RaidersMeltingNaziSome readers of this blog will probably find the “art market quantifying” ArtRank (TEE EMMMMMMMMMM!!!) as funny as I did, especially its fourth category listing those artists who should be “liquidated”. Obviously they’re talking about selling off the artist’s work as a matter of urgency, but it still has a deliciously murderous taste of the mafia hit list or Caligula-style proscription about it. Liquidate Banksy first. Then liquidate Oscar Murillo. Liquidate these other people I’ve never even heard of. Liquidate them all, Frieze will know its own. Apparently the Artrankers liked it when I made this comparison on Twitter last week. Lovely chap, Caligula. Very fond of animals.

There’s also a “peaking” list of people you should just be bored of rather than urgently liquidating them. I’m sure if the ArtRankers really put their minds to it they could have found terms that seem more…

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(AT LEAST) TWO LESSONS FROM VINCENT VAN GOGH

(AT LEAST) TWO LESSONS FROM VINCENT VAN GOGH

CAREER SUICIDE

20-kirk-douglasVVGLobbyCardThe first lesson is that during the late 1880s Vincent was more or less ignored by everyone in the art world except his brother Theo, and there was absolutely no prospect of any exhibition for Vincent’s work. In spite of this, he set himself the firm and no-excuses goal of making fifty paintings “worthy of exhibition” anyway. In the process he painted some of the works that are regarded as among his best. If I had £1 for every time an artist or a student told me they didn’t have time to make any work, I could probably just live from the proceeds of people saying they don’t have time to be artists. If it’s important to you, MAKE TIME.

The second lesson relates to the damage commerce does to art and artists. It comes from a letter to Theo about the July 1889 sale of a painting by Millet…

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“ART IS AN OBJECT WITH NO UTILITY”

“ART IS AN OBJECT WITH NO UTILITY”

CAREER SUICIDE

500Monopoly

Some more quotes from the book Collecting Contemporary Art, published by Taschen. All by Marcus Glimcher, at the time of the book’s publication an art dealer at PaceWildenstein, New York (now the Pace Gallery). It’s all interesting stuff, but there’s something about his explication and grammar that makes me think of Patrick Bateman in American Psycho, patiently lecturing the back of a guest’s head as a preface to suddenly embedding a fire axe in it.

“The art market is not really a market; it’s too small to qualify as one. Furthermore, if it is a market, it’s a market of uniques. Therefore, there is no true comparability between prices. Finally, it’s a market of Geffen goods which is what gives it such strange characteristics. Geffen was a nineteenth century economist who said that there are certain goods that will disobey the basic laws of supply and demand that…

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