Art at the Open Data Institute.
What I'm doing this autumn!
Maybe one day somebody will explain why the people in tech advertising– especially white people in ads for east Asian companies– always seem to be deliberately portrayed as affectless, malfunctioning animatronic mannequins with a limited grasp of their own language (example 1, example 2). Surely the ideal user likes to see themselves as more human than their phone or gadget, not less? In this latest effort by what must be a Taiwanese company, judging by the surtitles and the reference to Taipei 101, an insane lady called Pretty Woman Smart Living talks to her finger like Danny from The Shining and never misses an opportunity to humiliate her boyfriend for his inability to do mostly pointless things with his phone. He should also stop cutting his own hair, or at least try looking in a…
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To be pedantic, bees don’t really have knees, just a number of joints in their legs. But if they did, their knees would be clearly viewable with a new imaging device that combines the functions of a microscope and a cell analyser: Cytell. Follow the link to find out how it genuinely was inspired by a bee leg.
I’m mainly interested in the detailed, hypersaturated and Pixar-esque aesthetic of the images produced by the Cytell. So different from what most people would imagine when the only experience of scientific images they’ve had was their dull and probably outdated school textbooks.
The Cytell images are also interesting to me in the slightly more narcissistic sense that real science has finally caught up with…
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I’m still not entirely sure if this project which “aims to spread human ride robots” is in earnest or some kind of satirical sci fi art concept. Sometimes in Japan it’s hard to tell. It’s also entirely possible for any given thing to be both. I think “both” is probably the answer here although if it is a joke or has jokey elements, then it’s a joke carried out with unusual thoroughness and commitment. Well, unusual if you’re not Japanese, anyway. Obviously as usual any humour, intended or otherwise, has been missed by 90% of the lumpencommentariat on YouTube. As I’ve pointed out before, like the British the Japanese have an international reputation for being somehow both joyless stiffs and unpredictably eccentric, but in fact both nations across all social classes share a deep affinity for daft, surreal, mocking humour that doesn’t necessarily register in the USA, or…
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