Fact: Being in a fashion magazine gets me more profile and more offers of work than being in an art magazine. ¯\_(ツ)_/¯ https://www.elledecor.com/it/corner/a34569370/jcp-universe-collezione-arte-design-another-nature/
Author: Alistair
Heathcliff, it’s me
A most queer Gothic scientific romance Brontë family LARP...
Der der der der, we’ll always be together…
DoxBox at Electric Dreams Festival!
Cancellations
Live shows for spring 2020 cancelled or postponed.
Copy That? Surplus Data in an Age of Repetitive Duplication
New exhibition at the Open Data Institute, London, from February 5 2020.
DoxBox trustbot talk at BOM, Birmingham
Free Art & Tech Socials event in Birmingham.
Sluice Magazine, Autumn/Winter 19-20
The latest issue of Sluice magazine is out now. The theme this time is looking to the natural world and to deep time for survival strategies. As usual I wrote an article for the magazine, and there's the now traditional cheeky decontextualised quote from it on the back cover... Londonians may wish to join us … Continue reading Sluice Magazine, Autumn/Winter 19-20
DoxBox trustbot!
Photo by Paul Clarke for the Open Data Institute. New photos of DoxBox trustbot performances in London, November 2019.
When you’re an artist, every night is drag night
My article in the spring/summer 2019 edition of Sluice magazine.
DoxBox trustbot at the Future Fair!
Performances all day, Saturday 10 August 2019.
DoxBox Trustbot is watching you
Tech drag hot pink robot performance.
Look clean, so you can be really filthy
My column in the spring 2019 issue of Sluice magazine.
YOU WERE ONLY SUPPOSED TO BLOW THE BLOODY DOORS OFF
The Bank Job, London.
Not Neutrality
My latest blog for The Open Data Insititute.
Am I a Local Artist?
My column from the autumn/winter 2018 edition of Sluice Magazine.
A HUMANISING FORCE
Manchester, November 2018.
Dystopians Just Wanna Have Fun
I'll destroy you with my mini-submarine, Mr Bond.
Sluice magazine: Don’t Look Down
My column from the previous issue of Sluice magazine is now online, on the pervasive metaphorical debt of the art world, the perpetual actual debt of artists, and lazy little millennial fucks. The new issue is out very shortly, with more of my columnage.
Behind the Curtain: art and trust
Art at the Open Data Institute.
The Portland Office for Imaginary History
Photos from my performances at b-side in 2018.
