Artist and writer, or writer and artist. Sometimes other things, too.
Author: Alistair
“DEMON-PROWLER OF MOUNTAIN SHADOWS… DREADED MAN-BEAST OF TIBET… THE TERROR OF ALL THAT IS HUMAN!!A great poster for the 1957 Hammer film production ‘The Abominable Snowman of the Himalayas‘. I’ve not seen the film and I hadn’t heard of it before I found this poster, but look at the pedigree: directed by prolific Hammer hack Val Guest, written by Nigel Kneale of the Quatermass series, starring Peter Cushing. Apparently it was originally a BBC television play, which I should imagine was ineptly made for about £5 as was their wont.
It’s also fascinating how quaint warnings like “WE DARE YOU TO SEE IT ALONE!” are for things like this, half a century on. Most of these films wouldn’t frighten, shock or disturb anybody over the age of ten nowadays.
The standard story is that the carnivorous Venus Flytrap (Dionaea muscipula) plant’s name refers to the Roman goddess of love, without going into too much detail. Muscipula actually means mousetrap, not flytrap, but that’s not important right now (to quote Airplane! for no apparent reason).
Dionaea means “daughter of Dione”, i.e. Aphrodite, Venus’ Greek counterpart. This fixation on love goddesses gives some clue as to the real reason for the name; the filthy minds and sniggering schoolboy humour of 18th century naturalists. To them it was equally salient that it trapped and digested unsuspecting visitors (hence, flytrap) and that it had two touch sensitive, reddish lobes surrounded by hair… i.e. it reminded them of female genitalia. That link isn’t at all obscene, by the way, it just gives some more background information on the perpetrators of this Linnean lewdness.
I admit that I’m no gynaecologist, but I…
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See the first post about Japanese kamishibai (paper theatre) in the 1930s and the previous post about WWII kamishibai for more information and commentary about the origins and context of these images.
A brief mention of some upcoming commissions and performances.
See the first post about Japanese kamishibai (paper theatre) for more information and commentary about the origins and context of these images.
Here we move into the 1940s, WWII and the dodgy, overly-positive world of propaganda. Propaganda is almost by definition absurd and deceptive; if it wasn’t so cognitively dissonant and detached from observed reality then we’d just call it informative or documentarian. But there’s still something particularly disturbing about the hijacking of a medium intended mainly for children. The slides shown here are from How to Build a Home Air Raid Shelter and from Kintaro the Paratrooper. The latter is a militaristic rewrite of the traditional story about Momotoro the Peach Boy, who joined up with animal friends to defend Japan from invading demons. You can see what they did there, obviously.
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This is the first of several posts about Japanese kamishibai (paper theatre), a popular form of storytelling that began in the 1930s, peaked in the post-war/American occupation period, and more or less died out with the rise of Japan as a modern, technologically developed country. The material is all from Eric P. Nash’s great book Manga Kamishibai. As usual, out of respect for the author and the publisher (and also to piss off the imbeciles who are always going on about printed books being dead trees and obsolete, everything’s online now, blah blah blah) I’ll hopefully be posting just enough to arouse your interest without coming anywhere close to making it pointless to buy or borrow the book.
Kamishibaiya (paper theatre storytellers) would roll up to a street corner on their bicycles, which also supported a butai– a miniature wooden theatre into which the illustrated boards for the…
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A rather surreal engraving of the Eiffel Tower under construction, from La Nature, 1888.
An endorsement by His Holiness the Pope from Graphic, 1899, for Mariani Wine. Leo XIII was Pope from 1878 until 1903 and he had a ticket to ride on the white line highway. The product was pretty much just coca leaves steeped in ethanol, with about six or seven milligrams of cocaine content per fluid ounce. So when the advertisement says Mariani Wine “fortifies, strengthens, stimulates and refreshes” they’re probably right, albeit in a not strictly medicinal Studio 54 style. Other celebrity Mariani space cadets included H.G. Wells, Jules Verne, Henrik Ibsen and Thomas Edison.
As funny as it seems now, until after the First World War substances such as cocaine, Heroin, laudanum (opium dissolved in alcohol) and Chlorodyne (laudanum, cannabis and chloroform) were widely available to all and sundry, children included. There were ads recommending Heroin as a cough medicine, and laudanum as a remedy for a baby’s teething…
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Alistair Gentry 