Tag: public galleries

NOBLESSE OBLIGE

NOBLESSE OBLIGE

CAREER SUICIDE

Chatterton 1856 by Henry Wallis 1830-1916 “Unfortunately we have no budget to pay fees or expenses.”

a-n the artists information company have just published their draft recommendations and guidance on the payments and fees that should be due from publicly funded galleries to artists. FYI I’ve worked on the Paying Artists campaign and I work for a-n sometimes. I also think artists based in the UK should have their own look at it, so I won’t offer too much commentary except to pull out:

NOBODY IS ASKING FOR MUCH

Despite stiff resistance from an insignificant and usually bonkers minority of the public and a significant minority of people who work for public arts organisations, all of whom are baffled or bitter (or both) that an artist should get paid anything… the suggested fees for artists are far from outrageous and usually amount to no more than a few thousand or even a few hundred pounds…

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HE’S A CELEBRITY, GET HIM OUT OF HERE

HE’S A CELEBRITY, GET HIM OUT OF HERE

CAREER SUICIDE

There’s a frequently heard complaint in contemporary art galleries: “He can’t even draw. My five year old could do better.” Usually they’re perfectly and excruciatingly wrong, but finally an exhibition has come along where it would be entirely apposite and correct to make such a comment. It’s Bob Dylan’s Face Value at the National Portrait Gallery in London! And yes, your five year old could do better. Dylan even uses school art cupboard supplies to craft his masterpieces, just like a five year old. Alas his drawings did not find their proper home, i.e. stuck to the fridge door with a magnet.

Sandy Nairne, Director of the National Portrait Gallery, London, says: ‘Bob Dylan is one of the most influential cultural figures of our time. He has always created a highly visual world either with his words or music, or in paints and pastels. I am delighted that we…

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