See the first post about Japanese kamishibai (paper theatre) for more information and commentary about the origins and context of these images.
Here we move into the 1940s, WWII and the dodgy, overly-positive world of propaganda. Propaganda is almost by definition absurd and deceptive; if it wasn’t so cognitively dissonant and detached from observed reality then we’d just call it informative or documentarian. But there’s still something particularly disturbing about the hijacking of a medium intended mainly for children. The slides shown here are from How to Build a Home Air Raid Shelter and from Kintaro the Paratrooper. The latter is a militaristic rewrite of the traditional story about Momotoro the Peach Boy, who joined up with animal friends to defend Japan from invading demons. You can see what they did there, obviously.
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This is the first of several posts about Japanese kamishibai (paper theatre), a popular form of storytelling that began in the 1930s, peaked in the post-war/American occupation period, and more or less died out with the rise of Japan as a modern, technologically developed country. The material is all from Eric P. Nash’s great book Manga Kamishibai. As usual, out of respect for the author and the publisher (and also to piss off the imbeciles who are always going on about printed books being dead trees and obsolete, everything’s online now, blah blah blah) I’ll hopefully be posting just enough to arouse your interest without coming anywhere close to making it pointless to buy or borrow the book.
Kamishibaiya (paper theatre storytellers) would roll up to a street corner on their bicycles, which also supported a butai– a miniature wooden theatre into which the illustrated boards for the…
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