“Barbed wire is the medium of the future, Mrs. Russelmeier… but that is no way to make a banana.” The Joker, 1966.
Two 1966 episodes of the Batman TV series– itself a masterpiece of Pop Art and camp– overtly call out to Pop Art and the (then) contemporary abstract expressionists with Pop Goes The Joker/Flop Goes The Joker, in which the eponymous lunatic vandalises an art gallery. When one of the artists whose works have been permanently wrecked with splashes of paint actually likes it and appreciates that their value’s been increased (“All I could ever draw was stupid looking farm boys”– a sly but spot-on dig at Norman Rockwell), the Joker wastes no time in getting himself into Gotham City’s art world. He starts by winning an art competition against the likes of Jackson Potluck, Pablo Pinkus, and a paint flinging monkey. After an all-too-accurate satirical…
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