Tag: public art

RACHMAN STYLE*

RACHMAN STYLE*

CAREER SUICIDE

PSY-gangnam-style-33209760-1320-743 Ehhhhhh… nasty landlord.

(* Link for those too young and/or too not from London to get this reference.)

South Korean pop star PSY, of Gangnam Style infamy, is not only trying to force an artist-led organisation out of a building he owns in the gentrifying Hannamdong neighbourhood of Seoul (so he can renovate it, presumably for higher rents) but has also launched defamation lawsuits against four of the artists for publicising his actions and criticising him. Don’t like going viral quite so much when it doesn’t flatter you, Mr Park?

Of course this is just one of many instances of the same crap that is happening in London and in other major cities in the developed world; as the rich get richer and the poor get punished, artists, the low paid and even reasonably well-salaried key workers like nurses and teachers are being exiled from the cities where…

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DEGENERATION AREA

DEGENERATION AREA

CAREER SUICIDE

monopoly manVia artist Mimei Thompson on the F***book, news of a property developer soon to be bulldozing over a hundred artist studios near Hackney Road in London. They’ll be replaced by a twenty storey tower with “workspace” (whatever that is) and 170 homes including “a number of affordable”. Britain’s cities and towns desperately need more and better housing accessible to everyone regardless of their income, but we all know what the “number” of affordable units will be: as few as possible, probably with a separate door so the poors don’t rub their poor all over the investment/money laundering boxes of all the Chinese, Russian and Arab one percenters who are just about the only people who can buy these places. Affordable is a laughably– and conveniently– ill-defined and slippery developers’ term anyway.

Don’t worry, though, the loss of this artist community (who stupidly, inconveniently brought life to a rundown area…

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TALKING BOLLARDS

TALKING BOLLARDS

CAREER SUICIDE

Via Artquest, who themselves wryly and slyly editorialise that it’s “a load of bollards”, another fine opportunity to work for nothing and to create a hideous public eyesore courtesy of Lambeth council:

“We are removing hundreds of metal bollards from our streets in London Borough of Lambeth as a de-cluttering exercise. In the current batch of works, the number would be close to a thousand, and we will be removing many more in near future. These will be recycled by our highways contractor, unless we find a better use for them.

‘If anyone would like to use these bollards for some public art / sculpture, they would be more than welcome to have them for free, but we would like the artwork to be installed in Lambeth. If someone can come up with an idea for their use in public furniture, such as seating, planters, etc. then it would…

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WHAT THE DUCK?

WHAT THE DUCK?

CAREER SUICIDE

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‘Rubber Duck’, like its maker Florentjin Hofman’s other work, is daft, kitsch, intellectually undemanding and entirely uncool. Yet its value, I think, lies in precisely these attributes. When was the last time the work of any artist celebrated on the front cover of Art Review or Frieze aroused general excitement, civic pride, despair at the prospect of it going away, or “limitless amounts of joy”? This last comment is from a discussion at the governmental level about the widespread positive fallout from Hofman’s avowed attempt to spread this joy. I certainly don’t think art can be or should be uniformly subjected to tests of popularity or popularism, but I also think that somebody except the artist and their friends should care about and connect with an art work.

Until recently the 16m tall duck was floating between Hong Kong island and Kowloon. Although described by the artist as…

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