Alistair Gentry

Artist and writer, or writer and artist. Sometimes other things, too.

Main Menu

Skip to content
  • Blog / News
  • Performance
    • Hunter Moon 2018
    • The Portland Office for Imaginary History 2016-18
    • Opportunity, Unfortunately 2017
    • The Mel Bear of Melbourne 2017
    • A Five Year Old Could Do That 2017
    • Colonel Robin 2016
    • £ Pro Quo 2016
    • The Helmsdale Helm 2015
    • 兔 (R*****) 2014
    • Underground Movies 2014
    • Magickal Realism 2013
    • Magickal Realism 2009-2010
    • Artbollocks Theatre 2013-2015
    • Stendhal Syndrome 2011
    • Abyssinian Gold 2011
    • Nowhere Plains 2005-2008
  • Video
    • Lightbearer 2012
    • Taxonomy 2008
    • LPT BNB GDD LGN JPN 2008
    • Three Times True 2007-2013
    • Video with National Characteristics 2007
    • Mythologies 2005-2007
    • Qingdao 58 Middle 2006
    • Phantom Power 2005
  • Bio / CV
    • Contact me
    • CV
    • Interview, December 2011
    • Interview, July 2014
    • Quotes
  • Writing
    • JCP (Odeum)
    • JCP (The Glass Pagoda)
    • JCP (Ten Secret Treasures)
    • The Garden of Remember
    • Career Suicide (book)
    • Career Suicide art blog
    • Uncanny Valley
    • Adoxoblog
    • Buy my books
  • Portfolio
  • Alistair Gentry

The white room

February 28, 2013 · by Alistair · in Adoxoblog. ·

ADOXOBLOG

View original post

Share this:

  • Twitter
  • Facebook
  • Email
  • Tumblr
  • LinkedIn
  • Google
  • Reddit
  • WhatsApp
  • Pinterest

Related

Tags: 1950s, 1970s, 1990s, 20th century, advertising, Cold War, computers, Germany, Japan, mainframes, supercomputers, USA

Enter your email address to follow this site and receive notifications of new posts by email.

Tags

19th century 20th century 21st century 1940s 1950s 1960s a-n Absurdity advertising Alistair Gentry artbollocks Artbollocks Theatre artist careers artist opportunities artists artist statements art speak art world art world elite b-side festival baffling Britain childhood China contemporary art culture dead artists DISAPPROVED doing it right doing it wrong Dorset dramatic reading economics England English lesson found France galleries gender roles greed group exhibition GTFO götterdämmerung history horror idiots illustration international art English Japan live art London money myself New York nonsense painters Paris paying artists pay to play galleries performance performance art performance lectures philosophy Portland press releases pretentious repeat offender selling silly costumes status anxiety UK USA vanity writers. writing

Post navigation

← Colossus
Just a Japanese lady standing awkwardly with a mainframe →

Latest news and posts

  • Am I a Local Artist? January 10, 2019
  • A HUMANISING FORCE November 29, 2018
  • Dystopians Just Wanna Have Fun November 29, 2018
  • Sluice magazine: Don’t Look Down October 23, 2018
  • Behind the Curtain: art and trust October 17, 2018

Elsewhere

  • Adoxoblog
  • Alistair Gentry on Vimeo
  • Buy my books
  • Career Suicide art blog
  • Pinterest

Career Suicide: Ten Years as a Free Range Artist

Buy the book: available as print paperback, hardback and ebook.

Uncanny Valley: Collected Short Stories

Buy the book. Available as a print paperback and an ebook.

翻译 翻訳する traduire traducir ترجمه

Top Posts & Pages

  • Alistair Gentry
    Alistair Gentry
  • Stendhal Syndrome 2011
    Stendhal Syndrome 2011
  • I DOUBT SHE CAN EVEN SPELL "PHILANTHROPY"
    I DOUBT SHE CAN EVEN SPELL "PHILANTHROPY"
  • Kuchisake Onna
    Kuchisake Onna
  • Eric Gill, sans consentement
    Eric Gill, sans consentement
  • IT'S A GRAPHIC NOVEL, ACTUALLY
    IT'S A GRAPHIC NOVEL, ACTUALLY

Enter your email address to follow this site and receive notifications of new posts by email.

Search this site

Meta

  • Register
  • Log in
  • Entries RSS
  • Comments RSS
  • WordPress.com
WordPress.com.
loading Cancel
Post was not sent - check your email addresses!
Email check failed, please try again
Sorry, your blog cannot share posts by email.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Our Cookie Policy