PIGGIES

CAREER SUICIDE

monopoly man

When I and a few enlightened colleagues started talking about the art world and money in about 2009, hardly anybody was interested and we were very often asked why we bothered. Within a few years, nearly every agency and artist-facing organisation was talking about artists, art and money if they had any sense. The mainstream art magazines like Frieze still don’t talk about it very much except in a celebratory way, as if there’s nothing at all problematic about the whole high-end art scene, because their reason for being and their main income is from courting the (rich) hand that feeds or fists at its own whim.

Likewise, I have asserted for many years that the real story at the top end of the art world is not how bad, irrelevant and vapid most of the art and most of its suppliers are– don’t get me wrong, they are all…

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