Skip to content

Artist and writer, or writer and artist. Sometimes other things, too.

Alistair Gentry

  • Blog / News
  • Performance
    • British Fusion 2022+
    • 25% (Rectification) 2022
    • DoxBox trustbot 2018-2023
    • The Portland Office for Imaginary History 2016-23
    • The Dorchester and Poundbury Office for Imaginary Housing 2021
    • Hunter Moon 2018
    • Opportunity, Unfortunately 2017
    • The Mel Bear of Melbourne 2017
    • A Five Year Old Could Do That 2017
    • Colonel Robin 2016
    • £ Pro Quo 2016
    • The Helmsdale Helm 2015
    • 兔 (R*****) 2014
    • Underground Movies 2014
    • Magickal Realism 2013
    • Magickal Realism 2009-2010
    • Artbollocks Theatre 2013-2015
    • Stendhal Syndrome 2011
    • Abyssinian Gold 2011
    • Nowhere Plains 2005-2008
  • Video
    • British Fusion 2022+ (videos)
    • Lightbearer 2012
    • Taxonomy 2008
    • LPT BNB GDD LGN JPN 2008
    • Three Times True 2007-2013
    • Video with National Characteristics 2007
    • Mythologies 2005-2007
    • Qingdao 58 Middle 2006
    • Phantom Power 2005
  • Bio/CV
    • Contact me
    • Interview, December 2011
    • Interview, July 2014
    • Quotes
  • Writing
    • Sluice magazine
    • JCP (Another Nature)
    • JCP (Under the Prism)
    • JCP (Odeum)
    • JCP (The Glass Pagoda)
    • JCP (Ten Secret Treasures)
    • The Garden of Remember 2017
    • Uncanny Valley
    • Adoxoblog
  • Portfolio
    • Performances
    • The Portland Office for Imaginary History
    • Magickal Realism
  • Quotes
  • Home page

ARTBOLLOCKS THEATRE: NOESIS

Share this:

  • Twitter
  • Facebook
  • Email
  • Tumblr
  • LinkedIn
  • Reddit
  • WhatsApp
  • Pinterest

Like this:

Like Loading...

Related

  • Artbollocks Theatre
  • Career Suicide
  • Myself
  • Alistair
  • September 3, 2013October 4, 2013
  • art speak
  • art world
  • artbollocks
  • Artbollocks Theatre
  • artist statements
  • dramatic reading
  • English lesson
  • galleries
  • myself
  • press releases

Post navigation

“The plot didn’t matter at all”
THE ONLY ART PRIZE THAT MATTERS

Meta

  • Register
  • Log in
  • Entries feed
  • Comments feed
  • WordPress.com

翻译 翻訳する traduire traducir ترجمه

Enter your email address to follow this site and receive notifications of new posts by email.

Tags

19th century 20th century 21st century 1940s 1960s a-n Absurdity advertising artbollocks Artbollocks Theatre artist careers artist livelihoods artist opportunities artists artist statements art speak art world art world elite b-side b-side festival baffling Britain childhood contemporary art culture dead artists digital art DISAPPROVED doing it wrong Dorset dramatic reading England English lesson festival found France galleries gender roles group exhibition GTFO götterdämmerung history horror idiots illustration international art English Japan live art London money myself nonsense ODI Open Data Institute painters paying artists pay to play galleries performance performance art performance lectures philosophy Portland press releases pretentious repeat offender research selling silly costumes Sluice status anxiety UK USA vanity writers. writing

Enter your email address to follow this site and receive notifications of new posts by email.

Top Posts & Pages

  • Alistair Gentry
    Alistair Gentry
  • Eric Gill, sans consentement
    Eric Gill, sans consentement
  • Yank Beetles
    Yank Beetles
  • Doxbox is back, alright!
    Doxbox is back, alright!
  • PS: "Fat Americans"
    PS: "Fat Americans"

Tags

19th century 20th century 21st century Absurdity artbollocks artist careers artist statements art speak art world art world elite contemporary art English lesson galleries götterdämmerung Japan London money performance art UK USA

Meta

  • Register
  • Log in
  • Entries feed
  • Comments feed
  • WordPress.com
Create a website or blog at WordPress.com
  • Follow Following
    • Alistair Gentry
      • Join 111 other followers
    • Already have a WordPress.com account? Log in now.
    • Alistair Gentry
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Copy shortlink
    • Report this content
    • View post in Reader
    • Manage subscriptions
    • Collapse this bar
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Our Cookie Policy
%d bloggers like this: